Similarties and Differences Between Romeo and Juliet Movies

Shakespeares Romeo and Juliet Is a play based on love, hate, tragedy and sacrifice. It has been retold many another(prenominal) diametrical times in both(prenominal) written and film text edition and it is effective and timeless throughout the use of many techniques. Baz Luhrmann and Franco Zefirelli are cardinal directors who have made this classic play into film. Both directors have visualised the major bursts within the play with some similarities and differences. The three major defend looks being discussed are the fight context at the start, the fight scene among Tybalt and Mecrutio and the death scene of Romeo and Juliet.In the first scene, the audience is introduced to the hatred between the two broiling families, and both directors portray this in similar and different ways. angiotensin converting enzyme similarity is the camera angles there are close ups to reveal the real emotion on the Capulets and the Montagues faces and birds pith views to explore the co nflict. A noticeable difference between the versions is the music Luhrmann uses intense, reigning music to set the mood, however, Zefirelli uses the crowds uproar.Another difference is the exposure of christ in Luhrmanns, a huge statue of Christ is shown as a model of the power of the Church over the lives of the people below. On the contrary, in Zefirellis, no religion is revealed. During the fight scene between Tybalt and Mecrutio, Luhrmann and Zefirelli approach it in a very similar notwithstanding contrasting manner. In Zefirellis version, the air is almost comical as the two battle it out until Tybalt takes it too far and fatally stabs Mecrutio. In Luhrmanns, Tybalt seems overcome with rage and fights Mecrutio mercilessly.The similarity in both versions is that when the fight ends there is a close up on Tybalts face that reveals his regret towards Mecrutios death. During the conflict, Luhrmann cleverly uses a visual metaphor in the background the brewing of a storm. As th e scene gets more intense, the storm becomes more pronounced, until final examly it is unleashed as Romeo kills Tybalt. Zefirelli delivers his fight scene more mundanely. In the scene were Romeo and Juliet die, Luhrmann and Zefirelli approach it in two different ways that are both effective in their similarities and differences.Luhrmann portrays Juliet as the snapper of attention, dressed symbolically in white, surrounded by a sea of candles. Both versions include a shot of the dead star track lovers lying in each others arms, finally together. In Luhrmanns, he builds up the suspense until you almost believe Juliet will excite up in time to stop Romeo taking the poison. Whereas Zefirellis leaves no doubt that they will not be together. A crucial final difference in both versions is that Luhrmann never shows the families reuniting.In the play, Capulet and Montague agree to end their feud in the Zefirelli film, the families converge visually. Zefirelli and Luhrmann have both made spectacular versions of Romeo and Juliet, both approached it in different but similar ways. Zefirellis version is intriguing, but the overall winner is Luhrmanns. He captivates the audience with an amazing cast, exciting camera angles and enchanting music. Despite the modern outtake of his interpretation of the play, Luhrmanns film wrangle remains Shakespearian, which gives it that authentic touch.